Harry Potter and the Half-Blood Prince (2009)

Only the most unyielding literalist Potter fans will not enjoy this film as it has it all: exquisite cinematography, a brilliant soundtrack, imaginative direction, and the best acting from both veterans and young guns we've seen so far in the series. All are put to brilliant use as Dumbledore and Harry conspire to discover Lord Voldermort's secrets whilst simultaneously straining every sinew to contain outbreaks of rampant hormones and potion-taking at Hogwarts.

Some of the sets are breathtaking, in particular Weasley Wizard Wheezes. The film is hilarious throughout, Rupert Grint excelling with superb support from Jessie Cave, Freddie Stroma (as Cormac McClaggen) and Evanna Lynch. Bonnie Wright and Tom Felton are allowed to step out of their two-dimensional characters, Wright delivering sensuousness and strength and Felton giving an outstanding all-round performance. Daniel Radcliffe continues to carry the weight of both the part and the franchise with effortless ease, and Emma Watson is once again a delight as the emotionally embattled focus of the superb trio who have now added a facility for comedy to their formidable acting skills.

The veterans pull out all the stops, Michael Gambon is exceptional, becoming a truly charismatic and compelling presence by the end of the film, and of course, perfectly pitched performances from the likes of Bonham Carter (terrifyingly seductive), Jim Broadbent (funny and pathos-filled), and Alan Rickman (unreadably malevolent). Despite being on the screen for what seemed an instant, both David Thewlis and Helen McCrory convey their respective characters' desperation and edginess.

The film never lags because when you are not being gripped by visceral Quidditch or battle scenes you are laughing your head off at the comedy which ranges from broad and physical to witty and acute.

The film is all the more satisfying because there is a very strong sense of place, and the characters are three-dimensional, and utterly recognisable. And the film is truly multi-dimensional: it's a romcom, detective story, teen adventure-rites of passage, magical, scary-horror, political, and, above all, about love. All Rowling's stories are multi-layered but this is the first film to really capture the complexity and fun of the series.

You cannot wish for more from a film than it both stays in the mind, and, the first urge you have is to want to see it all over again. Half Blood Prince delivers on both counts

Oliver Twist(2005)

Roman Polanski never ceases to amaze me at all the things he can do. He can make so many different kinds of films well. His range is truly extraordinary. The man who gave us Chinatown, Pianist, Rosemary's Baby has now directed Oliver Twist. I've seen most of the versions of Twist but this is by far the best. David Leans version is often talked about but it is overpraised. It tends to be overly sentimental an very slow in certain places. I'm not for fast moving movies but his version can be quite dull at times. Polanski's film has updated a great story with lush photography of pastoral settings and the narrative moves briskly. He manages to develop the characters quite well despite the pace. The acting from all is superb especially Ben Kingsley who is barely recognizable. I've never been a fan of great books that have been adapted to film but Polanski seems to have a real knack for this sort of thing. He filmed Tess (also an adaptation) 25 years back with an Academy award nominated direction. That film is one of my all time favorites but Oliver Twist is even better. Polanski seems to get better with age. I can't wait to see what he does next.

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